8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
226 Chapter 20 ES2
Pan
This target modulates the panorama position of the sound in the stereo spectrum.
Modulating Pan with an LFO will result in a stereo tremolo (auto panning).
In Unison Mode, the panorama positions of all voices are spread across the entire
stereo spectrum. Nevertheless, pan can still be modulated, with positions being moved
in parallel.
Lfo1Asym
Lfo1Asym (Lfo1 Asymmetry) can modulate the selected waveform of LFO 1. In the case
of a square wave, it changes its pulse width. In the case of a triangle wave, it sweeps
between triangle and sawtooth. In the case of a sawtooth wave, it shifts its zero crossing
.
Lfo1Curve
This target modulates the waveform smoothing of the square and random wave. In the
case of a triangle or sawtooth wave, it changes their curves between convex, linear, and
concave.
Scaled Modulations
All following modulation targets result in a scaled modulation, which means that the
modulation value isn’t simply added to the target parameter’s value, but rather that the
target parameter value will be multiplied. This works as follows: a modulation value of
0.0 results in no effect, while a modulation value of +1.0 equals a multiplication by 10,
and a modulation value of –1.0 equals a multiplication by 0.04.
LFO1Rate
This target modulates the frequency (speed, rate) of LFO 1.
Note: Say you’ve created a vibrato with another Router channel by modulating the
Target Pitch 123 with LFO 1. If desired, you can have LFO 1’s speed (the vibrato speed)
automatically accelerated or slowed down. To do so, modulate the LFO1Rate target
with one of the envelope generators (ENV). Select LFO 2 as a source and reduce its
Rate, in order to periodically accelerate and slow down the vibrato.
Env2Atck
Env2Atck (Envelope 2 Attack) modulates the Attack time of the second envelope
generator.
Env2Dec
Env2Dec (Envelope 2 Decay) modulates the Decay time of the second envelope
generator.
In cases where you’ve selected ENV2 Dec as the target and Velocity as the source, the
duration of the decaying note is dependent on how hard you strike the key. Selecting
Keyboard as the source will result in higher notes decaying more quickly (or slowly).