8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 225
Resonance 1 (Reso 1)
This target allows modulation of the Resonance of Filter 1. See the “Cutoff and
Resonance” section, on page 214.
Cutoff 2
This target allows modulation of the Cutoff Frequency of Filter 2.
Resonance 2 (Reso2)
This target allows modulation of the Resonance of Filter 2.
LPF FM
A sine signal, at the same frequency as Oscillator 1, can modulate the Cutoff frequency
of Filter 2 (which always works as a lowpass filter). LPF FM (Lowpass Filter Frequency
Modulation) allows the modulation of Filter 2’s FM modulation intensity. This filter FM
parameter is described in the “Filter 2 FM” section, on page 217.
Cut 1+2
Cut 1+2 (Cutoff 1 and 2) modulates both filter’s Cutoff frequencies in parallel, much like
applying the same modulation to Cutoff 1 and Cutoff 2 in two Router channels.
Cut1inv2
Cut1inv2 (Cutoff 1 normal and Cutoff 2 inverse) simultaneously modulates the Cutoff
frequencies of the first and second filters inversely (in opposite directions). Put another
way, while the first filter’s Cutoff frequency is rising, the Cutoff of the second filter will
fall—and vice versa.
Note: In cases where you have combined Filter 1, defined as a highpass filter, and Filter
2 (which always works in lowpass mode) in Serial mode, both will serve as a bandpass
filter. Modulating the Cut1 inv 2 target will result in a modulation of the bandpass filter’s
bandwidth in this scenario.
FltBlend
FltBlend (Filter Blend) modulates the FilterBlend (the cross-fading of the two filters), as
described in the “Filter Blend and Signal Flow” section, on page 212.
Note: If FilterBlend is set as a target in one or several Router channels, the modulation
data for both filters will be calculated—even if the FilterBlend parameter is set to 1.0 or
+1.0. As such, you should be careful when choosing FilterBlend as a modulation target
because it may increase the need for processing power.
Amp
This target modulates the dynamic stage, or level (the voice’s volume). If you select
Amp as the target and modulate it with an LFO as the source, the level will change
periodically, and you will hear a tremolo.