8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
222 Chapter 20 ES2
Modulation Targets
The following targets are available for real-time modulation.
Note: These modulation targets are also available for the X and Y axes of the X/Y
modulator (the Square). See “The Square” section, on page 241.
Pitch 123
This target allows the parallel modulation of the frequencies (pitch) of all three
oscillators. If you select an LFO as the source, this target leads to siren or vibrato
sounds. Select one of the envelope generators with zero attack, short decay, zero
sustain, and short release as the source for tom and kick drum sounds.
Pitch 1
This target allows modulation of the frequency (pitch) of Oscillator 1. Slight envelope
modulations can make the amount of detuning change over time, when Oscillator 1 is
sounding in unison with another (unmodulated) Oscillator. This is useful for synthesizer
brass sounds.
Pitch 2
This target allows modulation of the frequency (pitch) of Oscillator 2.
Pitch 3
This target allows modulation of the frequency (pitch) of Oscillator 3.
Detune
This target controls the amount of detuning between all three oscillators.
Note: The sensitivity of all the pitch modulation targets described above depends on
the modulation intensity. This sensitivity scaling allows for very delicate vibrati in the
cent range (one cent equals 1/100 semitone), as well as for huge pitch jumps in octave
ranges.
 Modulation intensity from 0 to 8: steps are 1.25 cents.
 Modulation intensity from 8 to 20: steps are 3.33 cents.
 Modulation intensity from 20 to 28: steps are 6.25 cents.
 Modulation intensity from 28 to 36: steps are 12.5 cents.
 Modulation intensity from 36 to 76: steps are 25 cents.
 Modulation intensity from 76 to 100: steps are 100 cents.