8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 221
You can grab the area between the two slider halves with the mouse and drag both
halves simultaneously. If this area is to small to be grabbed with the mouse, just click
on a free part of the slider track and move the mouse up or down to move the area.
In the example below, the lower half of the slider knob defines the vibrato intensity
when the modulation wheel is turned down. The upper half defines the vibrato
intensity that takes place when the modulation wheel is set to its maximum value.
Note: To invert the effect of the via modulation source, simply activate the “via invert”
(inv) parameter in the Router.
A Modulation Example
Say you’ve chosen these settings:
 Target: Pitch 123
 via: Wheel
 Source: LFO1
 Modulation intensity: Slider position, set as desired
In this configuration, the modulation source—LFO1—is used to modulate the
frequency (pitch) of all three Oscillators (Pitch 123). (Pitch 123) is the modulation target
in this example. You’ll hear a vibrato (a modulation of the pitch) at the speed of LFO 1’s
Rate. The modulation intensity is controlled by the (modulation) wheel, which is
determined by the via parameter. This provides you with control over the depth of
vibrato (pitch modulation) via the modulation wheel of your keyboard. This type of
configuration is well-known in countless sound settings (patches).
It does not matter which of the ten Router Channels you use.
You can select the same target in several Router Channels, in parallel. You can freely use
the same sources as often as you like, and the same via controllers can be set in one or
multiple Router channels.