8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 219
Router Modulation Target: Amp
The dynamic stage can be modulated by any modulation source in the Router. The
modulation target is called AMP in the Router.
Note: If you select AMP as the target, LFO1 as the source, and leave via set to Off in the
Router, the level will change periodically, based on the current Rate of the LFO—and
you’ll hear a tremolo.
Sine Level
The Sine Level knob (located next to the Filter 2 section) allows the mixing of a sine
wave (at the frequency of Oscillator 1) directly into the dynamic stage, independent of
the filters. Even if you have filtered away the basic partial tone of Oscillator 1 with a
highpass filter, you can reconstitute it through use of this parameter. Please note:
 In cases where Oscillator 1 is frequency modulated by Oscillator 2 (if you have turned
up FM with the waveform selector), only the pure sine wave is mixed into the
dynamic section, not the distorted FM waveform.
 Low frequency modulations of Oscillator 1’s pitch, set in the Router, affect the sine
wave frequency mixed in here.
Note: Sine Level is well suited for adding warmth and a fat bass quality to the sound.
Thin sounds can be fattened up with this function, given that Oscillator 1 actually plays
the basic pitch.