8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 211
The mono output signal of Filter 2 is then fed into the input of the dynamic stage (the
equivalent of a VCA in an analog synthesizer), where it can be panned in the stereo
spectrum, and then fed into the effects processor.
In the graphic to the right, the filters are cabled in parallel. If Filter Blend is set to 0,
you’ll hear a 50/50 mix of the source signal routed via Filter 1 and Filter 2, which is fed
into the mono input of the dynamic stage. There it can be panned in the stereo
spectrum, and then fed into the effects processor.
Filter Blend: Cross-Fading the Filters
You can cross-fade between the two filters. When cabled in parallel, you’ll find this
quite obvious to look at and understand: If Filter Blend is set to its top position, you’ll
only hear Filter 1. If Filter Blend is set to its lowest position, you’ll only hear Filter 2. In
between these positions, the filters are cross-faded.
More often, you’ll want to cable the filters in series, where you can also cross-fade the
filters. This is achieved through the use of controllable side chains (bypassing lines). In
this serial cabling scenario, the distortion circuits controlled by the Drive parameter
also need to be considered, as the distortion circuits are positioned before, or in-
between the filters, dependent on Filter Blend.
Note: The Filter Blend parameter can be modulated dynamically in the Router!