8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 209
Note that the vector envelope features a loop function. This addition extends its
usefulness, allowing you to view it as a luxurious pseudo-LFO with a programmable
waveform. It can be used for altering the positioning of the Triangle and Square
cursors. Read more about this in the “Vector Mode Menu” section, on page 241, and
“The Vector Envelope” section, on page 242.
Triangle Values in Control View
Internally, the position of the cursor in the Triangle is described by two parameters (co-
ordinates, actually) which are relevant when it comes to automating the oscillator mix.
These parameters, called OscLevelX and OscLevelY—are visible in the Controls view.
Don’t confuse them with the X and Y positions of the Square.
If you intended to edit a region containing oscillator mix automation data in the Hyper
Editor, you would use the following MIDI controller values. Take a look at the
information below to get a feel for how they operate.
To listen to Oscillator 1 only:
m Set OscLevelX to 1.0 (MIDI: 127) and OscLevelY to 1.154 (MIDI: 127).
To listen to Oscillator 2 only:
m Set OscLevelX to 0.0 (MIDI: 0) and OscLevelY to 0.577 (MIDI: 64).
To listen to Oscillator 3 only:
m Set OscLevelX to 1.0 (MIDI: 127) and OscLevelY to 0.0 (MIDI: 127).
To listen to Oscillator 1 and 2 only:
m Set OscLevelX to 0.5 (MIDI: 64) and OscLevelY to 0.866 (MIDI: 95).
To listen to Oscillator 1 and 3 only:
m Set OscLevelX to 1.0 (MIDI: 127) and OscLevelY to 0.577 (MIDI: 64).
To listen to Oscillator 2 and 3 only:
m Set OscLevelX to 0.5 (MIDI: 64) and OscLevelY to 0.288 (MIDI: 32).
To set all oscillators to the same level:
m Set OscLevelX to 0.667 (MIDI: 85) and OscLevelY to 0.577 (MIDI: 64).