8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 20 ES2 201
Note: If you switch to Legato, you need to play legato to actually hear the Glide
parameter taking effect.
Note: On several monophonic synthesizers, the behavior in Legato mode is referred to
as single trigger, while Mono mode is referred to as multi trigger.
Voices
The maximum number of notes that can be played simultaneously is determined by
the Voices parameter. Maximum value for Voices is 32.
The value of this parameter has a significant impact on the computer processing
resources demanded by the ES2 when played at its maximum polyphony. Reduce this
value to the number of voices that you actually require for the part. Setting it to a
higher value places higher overheads on the CPU, and wastes resources.
Unison
A forte of polyphonic analog synthesizers has always been unison mode. Traditionally,
in unison mode, classic analog polysynths run monophonically, with all voices playing a
single note simultaneously. As the voices of an analog synthesizer are never perfectly in
tune, this results in an extremely fat chorus effect with great sonic depth. Switch the
ES2 to Mono or Legato and switch on Unison in order to achieve and hear this effect.
The intensity of the unison effect depends on the number of Voices selected.
Remember that the amount of processing power required is correlated to the number
of voices! The intensity of detuning (voice deviation) is set via the Analog parameter.
In addition to this classic monophonic unison effect, the ES2 also features a polyphonic
unison effect. In Poly/Unison, each note played is effectively doubled, or more correctly,
the polyphony value of the Voices parameter is halved. These two voices are then used
for the single triggered note.
Switching on Poly and Unison has the same effect as setting the ES2 to Mono, Unison,
and Voices = 2, except that it can be played polyphonically.