8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 14 EVOC 20 PolySynth 161
Formant Filter Parameters
The Formant Filter display is divided into two sections by a horizontal line. The upper
half applies to the Analysis section and the lower half to the Synthesis section. Changes
made to the High and Low Frequency parameters, the Bands parameter, or the
Formant Stretch and Shift parameters will result in visual changes to the Formant Filter
display. This provides you with invaluable feedback on what is happening to the signal
as it is routed through the two formant filter banks.
High and Low Frequency
The blue bar shown just beneath the EVOC 20 PolySynth logo is a multi-part control
which is used to determine the lowest and highest frequencies allowed to pass by the
filter section. The length of the blue bar represents the frequency range for both
analysis and synthesis. Frequencies of any audio input which fall outside these
boundaries will be cut. All filter bands are distributed evenly across the range defined
by the High and Low Frequency values.
 To adjust the Low Frequency value, simply click-hold on the silver slider to the left of
the blue bar, and drag to the right (or left). The value range is 75 to 750 Hz.
 To adjust the High Frequency value, simply click-hold on the silver slider to the right
of the blue bar, and drag to the left (or right). The value range is 800 to 8000 Hz.
 To adjust both sliders simultaneously, click on the area between the slider halves
(directly on the blue bar) and drag to the left or right.
 You can make changes to the High and Low Frequency values directly by editing the
numerical fields below the blue bar.
Controls the lowest and
highest frequency