8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
158 Chapter 14 EVOC 20 PolySynth
Tuning and Pitch Parameters
 Analog knob: Simulates the instability of analog circuitry found in vintage vocoders.
Analog alters the pitch of each note randomly. This behavior is much like that of
polyphonic analog synthesizers. The Analog knob controls the intensity of this
random detuning.
 Tune: Defines the range of detuning.
 Glide: Glide determines the time it takes for the pitch to slide from one note to
another (portamento).
 Bend Range: Determines the pitch bend modulation range in semitones.
Cutoff and Resonance
 Cutoff: Sets the cutoff frequency of the lowpass filter. As you turn this knob to the
left, an increasing number of high frequencies is filtered from the signal.
 Resonance: Turning up Resonance leads to an emphasis of the frequency area
surrounding the frequency defined by the Cutoff parameter. The filter is used for
rough signal shaping, before the signal is articulated by the vocoding circuits.
∏ Tip: Set Cutoff as high as possible, and add a little Resonance to achieve a nice, brilliant
high-end.