8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
144 Chapter 13 Utility
Gain
Gain lets you amplify (or reduce) the signal by a specific decibel amount. It is very
useful when you are working with automated tracks during post-processing and want
to quickly adjust levels. As examples: when you have inserted another effect that
doesn’t have its own gain control, or when you want to change the level of a track for a
remix version.
Gain Parameters
 Gain slider and field: Sets the amount of gain.
 Phase Invert Left and Right buttons: When selected, inverts the phase of the left and
right channels, respectively.
 Balance knob: Adjusts the balance of the incoming signal between the left and right
channels.
 Swap L/R (Left/Right) button: When selected, swaps the left and right output
channels. The swapping occurs after the Balance in the signal path.
 Mono button: When selected, outputs the summed mono signal on both the left and
right channels.
Note: The Gain plug-in is available in m → m, m → s and s → s configurations.
In m → m and m → s modes, only one Phase Invert button is available. In the m → m
version, the Stereo Balance, Swap Left/Right, and Mono parameters are disabled.
Using Phase Inversion
Inverting phase lets you combat time alignment problems, particularly those caused by
recording with multiple microphones at the same time. When you invert the phase of a
signal heard in isolation, it sounds identical to the original. When the signal is heard in
conjunction with other signals, however, phase inversion has an audible effect. As an
example, if you place microphones above and below a snare drum, you should invert
the phase of the bottom microphone signal, so that it is in-phase with the top
microphone signal.