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Table Of Contents
132 Chapter 11 Reverb
The Low Freq Level slider allows you to boost or attenuate the level of the low
frequency band. In the vast majority of mixes, your best bet is to set a lower level for
the low frequency reverb signal. This enables you to turn up the level of the bass
instrument—making it sound punchier. This also helps to counter bottom-end masking
effects.
SilverVerb
The SilverVerb is similar to the AVerb, but provides an additional LFO that you can use
to modulate the reverberated signal. It also includes a high and a low cut filter,
allowing you to filter frequencies from the reverb signal. High frequencies usually
sound somewhat unpleasant, hamper speech intelligibility, or mask the overtones of
the original signals. Long reverb tails with a lot of bottom end generally makes for a
flabby mix.
 Predelay: Determines the time between the original signal and the reverb signal.
 Reflectivity: Defines how reflective the imaginary walls, ceiling, and floor are.
 Room Size: Defines the dimensions of simulated rooms.
 Density/Time: Determines both the density and duration of the reverb.
 High Cut: Frequencies above the set value are filtered out of the reverb signal. Note
that this only affects the tone of the reverb, not the source signal.
 Low Cut: Frequencies below the set value are filtered out of the reverb tail. As above,
it only affects the reverb signal.
 Mod Rate: Sets the frequency (speed) of the LFO.
 Modulation Phase: Defines the phase of the modulation between the left and right
channels of the reverb signal. At 0°, the extreme values (minimum or maximum) of
the modulation are achieved simultaneously on both the left and right channels. At a
value of 180°, the extreme values opposite each other (left channel minimum, right
channel maximum, or vice-versa) are reached simultaneously.
 Mod. Intensity: Sets the modulation amount. A value of 0 turns the delay modulation
off.
 Mix: Sets the balance between the effected and dry signal.