8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 9 Modulation 103
 LFO Left Right Link button (only available in stereo instances): Switch on to tie the
modulation rates of the left and right stereo channels to each other.
 LFO Phase knob and field (only available in stereo instances): Controls the phase
relationship between the individual channel modulations. At 0°, the extreme values
of the modulation are achieved simultaneously for all channels. 180° or –180° is equal
to the greatest possible distance between the modulation phases of the channels.
The LFO Phase parameter is only available, if the LFO Left Right Link button is active.
 Vol.Mod. (Volume Modulation) slider and field: Use this to determine how much of an
impact the LFO modulation has on the amplitude of the effect signal.
 Output Mix slider and field: Determines the balance between dry and wet signals.
 True Analog menu (extended parameter): Use to introduce an additional all-pass filter
into the signal path. An all-pass filter shifts the phase angle of a signal, influencing its
stereo image.
 Analog Left and Analog Right sliders and fields (extended parameter): This controls the
frequency at which the phase shift crosses 90° (the half-way point of the total 180°)
for each of the stereo channels.
Phaser
The Phaser effect combines the original signal with a copy that is slightly out of phase
with the original. This means that the amplitude of the two signals reach their highest
and lowest points at slightly different times. The timing differences between the two
signals is modulated by two independent LFOs.
In addition, the Phaser includes a filter circuit and a built-in envelope follower, which
tracks any volume changes in the input signal, generating a dynamic control signal.
 Filter button: Click to activate the filter section, which processes the feedback signal
of the Pitch Shifter.
 LP and HP knobs and fields: Use these to set the cutoff frequency of the filter section’s
highpass and lowpass filters.
 Feedback slider and field: Determines the amount of the effect signal that is routed
back into the input of the effect.