8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
Chapter 9 Modulation 101
 Phase knob and field: Controls the phase relationship between the individual voice
modulations. The value that you choose here is dependent on the number of voices,
which is why it is shown as a percentage value rather than degrees. The value 100 (or
–100) is equal to the greatest possible distance between the modulation phases of all
voices.
 Spread slider and field: Used to distribute the voices across the stereo field. When you
set a value of 200%, the stereo base is expanded artificially. Please note that
monaural compatibility may suffer if you choose to do this.
 Mix slider and field: Determines the balance between dry and wet signals.
 Effect Volume knob and field: Use this to independently determine the level of the
effects signal. This is a useful tool which compensates for changes in volume caused
by changes to the Voices parameter.
Flanger
The Flanger effect works in much the same way as the Chorus effect, but uses a
significantly shorter delay time. In addition, the effect signal can be fed back into the
input of the delay line.
Flanging is typically used to create changes sometimes described as adding a spacey or
underwater effect.
 Rate knob and field: Defines the frequency, and therefore the speed, of the LFO.
 Intensity slider and field: Determines the modulation amount.
 Feedback slider and field: Determines the amount of the effect signal that is routed
back into the input. Negative values invert the phase of the routed signal.
 Mix slider and field: Determines the balance between dry and wet signals.