8
Table Of Contents
- Logic Express 8 Instruments and Effects
- Contents
- Introduction to the Logic Express Plugins
- Amp Modeling
- Delay
- Distortion
- Dynamics
- EQ
- Filter
- Imaging
- Metering
- Modulation
- Pitch
- Reverb
- Specialized
- Utility
- EVOC 20 PolySynth
- EFM1
- ES E
- ES M
- ES P
- ES1
- ES2
- The ES2 Parameters
- Tutorials
- Sound Workshop
- Sound Design From Scratch, Filter Settings, Digiwaves
- Three Detuned Sawtooth Oscillators and Unison Mode
- Extremely Detuned Monophonic Analog Sounds, Effects
- Clean Bass Settings With One Oscillator Only
- Distorted Analog Basses
- FM Intensity and Frequency
- Controlling FM Intensity by an Envelope and FM Scaling
- FM With Drive and Filter-FM
- FM With Digiwaves
- FM With Wavetables
- Distorted FM in Monophonic Unison
- FM With Unusual Spectra
- Slow and Fast Pulse Width Modulations With Oscillator 2
- Pulse Width Modulation With Two Oscillators, PWM Strings
- Ring Modulation
- Oscillator Synchronization
- First Steps in Vector Synthesis
- Vector Synthesis—XY Pad
- Vector Synthesis Loops
- Bass Drum With Self-Oscillating Filter and Vector Envelope
- Percussive Synthesizers and Basses With Two Filter Decay Phases
- Templates for the ES2
- Sound Workshop
- EXS24 mkII
- Learning About Sampler Instruments
- Loading Sampler Instruments
- Working With Sampler Instrument Settings
- Managing Sampler Instruments
- Searching for Sampler Instruments
- Importing Sampler Instruments
- Parameters Window
- The Instrument Editor
- Setting Sampler Preferences
- Configuring Virtual Memory
- Using the VSL Performance Tool
- External Instrument
- Klopfgeist
- Ultrabeat
- GarageBand Instruments
- Synthesizer Basics
- Glossary
- Index
100 Chapter 9 Modulation
Chorus
The Chorus effect delays the original signal. The delay time is modulated with an LFO.
The delayed, modulated signal is mixed with the original, dry signal.
You can use the Chorus effect to enrich the sound and create the impression that it’s
being played by multiple instruments or voices, in unison. The slight delay time
variations generated by the LFO simulate the subtle pitch and timing differences heard
when several people perform together. Using chorus also adds fullness or richness to
the signal, and can add movement to low or sustained sounds.
 Intensity slider and field: Defines the modulation amount.
 Rate knob and field: Defines the frequency, and therefore the speed, of the LFO.
 Mix slider and field: Determines the balance of dry and wet signals.
Ensemble
The Ensemble combines up to eight chorus effects. Two standard LFOs and one
random LFO (which generates random modulations) enable you to create complex
modulations. The Ensemble’s graphic visually represents the processed signals.
 Voices slider and field: Determines how many individual chorus instances are used,
and therefore how many voices (or signals) are generated, in addition to the original
signal.
 Rate knobs and fields: Use the respective knob to control the frequency of each LFO.
 Intensity sliders and fields: Use these to set the amount of modulation for each LFO.