User manual

If necessary, you can choose other color preprocessing options from the RED FCP Log
and Transfer plugin submenu of the Action pop-up menu.
The image preprocessing options found in the RED FCP Log and Transfer plugin submenu
By default, there are five options:
•
As Shot — The Default. Uses each clipʼs internal metadata to preprocess the clip.
The result should look nearly identical to the image as it was monitored during the
shoot.
•
Tungsten — Preprocesses each clip with a color temperature correction that assumes
warmer (more orange) Tungsten lighting, to achieve a neutral result.
•
Daylight — Preprocesses each clip with a color temperature correction that assumes
cooler (more blue) Daylight lighting, to achieve a neutral result.
•
Warm – An adjustment that attempts to preprocess the image so that the final result is
warmer (more orange) than the originally monitored image.
•
Sepia – An aggressive adjustment that preprocesses the image with a sepia-tone
result.
Important — The color preprocessing option you choose is applied to every clip that
you ingest in the current queue; itʼs not possible to specify different color preprocessing
options for individual clips in advance. However, after one queue has finished ingesting,
you can change the color preprocessing option before queuing up more clips, and it will
be applied to all clips ingested from that point forward.
Using Native REDCODE Media with Final Cut Studio – Jun 15, 2009! 9