Product specifications

Make Sure You Have the Right Setup for Mixing
If you plan to do your own sound design and mixing, it’s important to make sure that
you have the right supporting hardware for the job. You will be the last word in how
the audio sounds, and the audience is going to hear exactly what you export. When
deciding how to equip your room, keep the following essentials in mind.
A high-quality audio interface: It’s important to have an appropriate audio interface
for routing either stereo or surround channels to your speakers. Your audio interface
should be able to accommodate the bit depth of the audio you’ll be working with. It
should also be of high enough quality to produce a clean-sounding signal.
High-quality monitoring speakers: Its crucial that you use high-quality monitoring
speakers that provide accurate and unbiased imaging of your audio, with no
exaggerated or omitted frequencies. This ensures that you hear problems in your
audio, such as high-frequency hiss or low-frequency rumble, so that you can do
something about them. It also ensures that you don’t inadvertently overcompensate
EQ or level settings when the fault lies with your speakers, rather than with the quality
of the source audio itself.
Studio-quality microphones and a suitable recording environment: If you’re recording
voiceover, dialogue replacement, or Foley effects, its important to use microphones
that will pleasingly capture the type of audio you need. There are many different
types of microphones, and they all have different strengths and weaknesses for various
applications. Just as important is the environment in which you’ll be recording. It
should be quiet and lack excessive reverberation. (Its usually not a good idea to record
in a room that’s too “live,” such as a completely empty apartment in which you can
hear your own slight echo.)
A properly balanced mixing room: It’s very important that your room have balanced
acoustics so that you can accurately hear your mix; otherwise, your speakers can’t do
their job. Positioning your speakers and adjusting where you sit relative to the angle
of the rooms walls makes a big difference in how your audio sounds. Additional foam
and fabric wall and ceiling treatments also affect the rooms acoustics. In an ideally
set up room, no one set of audio frequencies is either exaggerated or reduced; this
way, you can make critical level and EQ decisions.
Organizing Your Audio in Preparation for Mixing
Whether you do the sound design and mixing in Final Cut Pro, in Soundtrack Pro, or at
another facility entirely, it’s important to organize your project to facilitate the work that
will be happening. In particular, there are three things you can do to make the process
go smoothly.
91Chapter 5 Finishing