2009
Table Of Contents
- Final Cut Studio Workflows
- Contents
- Introduction
- Developing a Post-Production Strategy
- Ingesting and Organizing Your Media
- Integration During Editorial Development
- Client Review
- Finishing
- What Is Finishing?
- Finishing Using Compressed Versus Uncompressed Media
- Format Conversion When Finishing Mixed-Format Sequences
- Reconforming Media to Online Quality
- Creating Final Broadcast Design Elements and Effects
- Color Correction
- Final Sound Editing, Design, and Mixing
- Mastering
- Output and Delivery
• “Subtitling and Closed Captioning”
• “Delivering Audio”
Creating Versions of a Program with and Without Titles
A common requirement, especially from networks and broadcasters, is that you provide
separate tape masters of your program with and without titles (also called texted and
textless masters).
• A texted master is simply your program as you intend the audience to see it, with all
titles, subtitles, lower thirds, segment and interstitial titles, and end credits intact.
• A textless master is the same program with all titles, subtitles, lower thirds, segment
and interstitial titles, and end credits removed, to facilitate easy title replacement for
international distribution. (Text that appears within video clips used by the program is
usually left intact.)
To make it easy to output both texted and textless versions of your program, it’s a good
idea to edit all titles being used in your program into a separate set of video tracks. You
can then turn off all your titles at once using the Track Visibility controls in Final Cut Pro.
Separate Titling Requirements for SD and HD Video
If you’re expected to provide both standard definition (SD) and high definition (HD) tape
masters, be aware that some broadcasters have different titling requirements for each
format. The reason for this is that titles are often sized and framed specifically for HD,
widescreen presentation. However, the same titles will look too small, or be forced outside
of the title safe area of the picture, if that master is downconverted to SD video.
In general, there are two ways broadcasters handle this issue:
• Sometimes you’re required to use separate title templates to create both SD and HD
versions of every title, lower third, and credit in your program. In this case, you need
to output two versions of your program from Final Cut Pro, one with SD titles edited
in and another with HD titles edited in.
• Other distributors require that you use title templates that are 4:3 safe at HD resolution
and that you size your title text large enough to remain legible after downconversion.
In this case, you can output only an HD version, and an SD version can be easily dubbed
and downconverted from that.
Check with your distributor to find out which method is required.
98 Chapter 6 Mastering