2009
Table Of Contents
- Final Cut Studio Workflows
- Contents
- Introduction
- Developing a Post-Production Strategy
- Ingesting and Organizing Your Media
- Integration During Editorial Development
- Client Review
- Finishing
- What Is Finishing?
- Finishing Using Compressed Versus Uncompressed Media
- Format Conversion When Finishing Mixed-Format Sequences
- Reconforming Media to Online Quality
- Creating Final Broadcast Design Elements and Effects
- Color Correction
- Final Sound Editing, Design, and Mixing
- Mastering
- Output and Delivery
When you import a telecine log file into Final Cut Pro, all of this information appears in
the Browser, associated with each offline clip, ready for use as soon as you capture the
media. There are additional columns in the Final Cut Pro Browser that are dedicated to
film information coming from Cinema Tools. These columns include:
• Aux timecode tracks and reel numbers
• Film Slate
• Camera Roll
• Lab Roll
• Film Standard
• TK Speed
• Key Number
• Ink Number
• Daily Roll
• Take Note
• Shot Note
• Scene Note
• Sound TC
• Sound Roll
For more information, see the Cinema Tools and Final Cut Pro documentation.
Tip: When you have your camera negative transferred to video, you can request that
notes from the set that were gathered by the script supervisor be entered in the telecine
log file, which can then be imported directly into Final Cut Pro (or imported indirectly
using Cinema Tools), ready for use by the editor.
48 Chapter 2 Ingesting and Organizing Your Media