2009

Quality-Control Guidelines
Because programs in this workflow are being delivered for broadcast, tight quality-control
standards usually apply. (Some networks have more stringent standards than others.)
Although video and audio standards vary by network, submitted programming is always
closely scrutinized, and quality-control violations may result in tape masters being rejected
by the network, incurring additional costs for the client. Always obtain the specific
quality-control (QC) guidelines before finishing any program intended for broadcast.
What this means is:
• You’ll use Color, or another high-end grading system, to color correct and legalize your
program using an appropriate broadcast monitor.
• You should obtain and follow the quality-control guidelines provided by the network
or your distributor as a guide in finishing the program.
Delivery Specifications
Each network typically has specific required delivery formats, which may include one or
more SD and HD formats. Also, networks usually require separate versions of each program
with and without titles (also called texted and textless versions). Inquire in advance about
what deliverables are required. What this means to you is:
• SD programs are usually output to Digital Betacam.
• HD programs are typically output to HDCAM, HDCAM SR, or D-5, although some
broadcasters use other specific formats for mastering.
Workflow Summary
Your video is ingested into Final Cut Pro using the Log and Capture or Log and Transfer
window, as appropriate. During editing, you can use Motion and Soundtrack Pro, along
with the video and audio effects tools that Final Cut Pro offers, to incorporate motion
graphics, effects, and sound work into your program.
After editing, it’s a good idea to send your edited sequence to Color for grading according
to the network’s standards, after which you send it back to Final Cut Pro in preparation
for output. As part of the finishing process, you send all of your program’s audio either
to Soundtrack Pro or to a third-party digital audio workstation (DAW) application for final
sound design and mixing.
When you finish your program, you output it to one or more tape masters, in the network’s
format of choice.
Acquired on Film for Broadcast Delivery
This workflow refers to programs shot on film but transferred to video with the intention
of creating a video master for terrestrial, cable, or satellite broadcast. This workflow
overlaps with the one specified for programs shot on film for direct-to-video release via
a formal distributor.
19Chapter 1 Developing a Post-Production Strategy