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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
project properties A project’s default Event as well as the project’s video, audio,
and render properties. In most cases, Final Cut Pro manages project’s properties
automatically based on the properties of the rst clip you add to a project. If you
must modify the project properties, choose video and audio project properties based
on how you intend to share your nal movie with your audience. You set a project’s
properties when you create a Final Cut Pro project, and you can change them at
any time.
proxy les You can use Final Cut Pro to transcode your original media to create proxy
les, which are smaller les with a lower data rate. Proxy les can be used for oine
editing or for editing when using a slower computer. Final Cut Pro creates video proxy
les using the Apple ProRes 422 (Proxy) codec, and still-image proxy les using the
JPEG format (if the original le doesn’t have alpha channel information) or the PNG
format (if the le has alpha channel information). See also alpha channel.
QuickTime Cross-platform multimedia technology from Apple. Widely used
for production, post-production, and distribution of video, audio, and
interactive programs.
range selection A selection in the Event Browser or the Timeline that you can adjust
by changing the selection start point or the selection end point. In contrast to clip
selections, which include entire clips only, range selections allow you to select a
portion of a clip. A range selection has range handles that you can drag to adjust
the selection.
Range Selection tool The editing tool that allows you to select a range in the
Timeline. You can select the Range Selection tool by pressing the R key.
red laser media Traditional DVD burners and players use a red laser when working
with DVD media. Blu-ray burners and players use a blue laser when working with Blu-
ray media. The blue color has a shorter wavelength, making it possible to store more
data on a disc when compared to red lasers.
render To process video and audio with any applied eects or transitions, and store
the result on disk as a render le. These render les are stored with your Final Cut Pro
Event and project les. When you publish or export a project, it is similarly rendered to
create the output les.
replace edit In a replace edit, a source selection replaces a clip in your project in the
Timeline. In contrast to overwrite edits, replacing works on whole Timeline clips only
and can change the duration of your project.
548 Chapter 18 Glossary










