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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 18 Glossary 545
media browsers Media that you import into Events in Final Cut Pro is accessed from
the Event Library and the Event Browser, but Final Cut Pro also includes a collection of
media browsers you can use to add clips to your project. The media browsers provide
access to the eects, titles, and transitions supplied with Final Cut Pro as well as to
video, audio, and still-image les in other applications on your computer. For example,
you can use the Photos Browser to access video and still-image les in the iPhoto
and Aperture libraries. Other media browsers include the Eects, Music and Sound,
Transitions, Titles, Generators, and Themes Browsers. The media browsers appear in the
Media Browser pane in the lower-right corner of the Final Cut Pro main window.
media handle Additional media available before a clip start point or after a clip
end point.
media stems Audio or video les that are usually exported separately for audio
mixing or post-production, or to match specications when delivering les to
broadcast networks. For example, you may need to deliver a multitrack QuickTime le
along with separate dialogue, music, and eects stems.
mixing The process of adjusting the audio levels of all audio clips in an edited
program, including the production audio, music, sound eects, voiceovers, and
additional background ambience, to turn all of these sounds into a harmonious whole.
monochrome An image presented in shades of a single color, most often as the
shades of gray in a black-and-white image.
MP3 Refers to the MPEG-1 or MPEG-2 Audio Layer 3 compression standard and le
format. Like AAC, MP3 uses perceptual audio coding and psychoacoustic compression
to remove superuous information that the human ear doesn’t hear.
MPEG (Moving Picture Experts Group) A group of compression standards for video
and audio, which includes MPEG-1, MPEG-2, and MPEG-4.
multicam clip A set of clips grouped together and synchronized by a common sync
point. You can use multicam clips to edit footage from multicamera shoots or other
synchronized footage in real time. While the active angle plays in the Viewer, you can
also view all angles playing simultaneously in the Angle Viewer and easily cut and
switch between them.
Music and Sound Browser A media browser in Final Cut Pro that allows you to access
your iTunes content as well as sound eects and loops from Final Cut Pro and iLife.
nested sequence See compound clip.
NLE Short for nonlinear editor. See also nonlinear editing.










