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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Event Browser The Event Browser displays the clips for the item selected in the Event
Library. You select clips or portions of clips in the Event Browser to work with them.
You can sort clips in the Event Browser by creation date, as well as by date imported,
reel, scene, clip duration, and le type. You can also view your clips as lmstrips or in
a list.
Event Library The Event Library holds and organizes the Events that contain your
imported media (video, audio, and still images). When you select an Event in the Event
Library, the media it contains appears as clips in the Event Browser. The Event Library
is also the home for Final Cut Pro Keyword Collections and Smart Collections, which
provide a powerful way to organize your media using keywords and persistent
search lters.
exposure The amount of light in video or lm images. Exposure aects the overall
brightness of the image as well as its perceived contrast.
fade A common type of transition in both video and audio. For video, a fade-out
begins with a shot at full intensity and reduces until it is gone. A fade-in begins with
a shot at no intensity and increases to full intensity. These are the common “fade to
black” and “fade up (from black)” transitions. Audio fade-ins begin with silence and
increase to full volume, and fade-outs begin at full volume and decrease to silence.
lmstrip Your video clips appear as lmstrips in the Timeline (where you build
projects) and in the Event Browser (where your source media is displayed). A single
video lmstrip might represent several seconds of video encompassing hundreds
of video frames (individual images). Audio-only clips appear as audio waveforms,
showing the change in the audio volume over time.
FireWire The trademarked Apple name for the IEEE 1394 standard. A fast and versatile
interface used to connect DV camcorders to computers. FireWire is well suited to
applications that move large amounts of data, and it can also be used to connect hard
disks, scanners, and other kinds of computer peripherals.
Foley eects Foley eects are custom sound eects that are heavily synchronized to
picture, such as footsteps on dierent surfaces, clothes rustling, ght sounds, and the
handling of various noisy objects. Final Cut Pro includes a number of built-in Foley and
other sound eects that you can insert as connected audio clips.
frame A single still image. Film and video are made up of a series of these images.
Although a lm frame is a single photographic image, an interlaced video frame
contains two elds. See also interlaced video, non-interlaced video.
frame blending Duplicating frames to create slow motion can result in a strobing,
jittery eect. To minimize this, you can turn on Frame Blending in the Retime pop-
up menu in the toolbar. Frame blending creates new in-between frames, each a
composite of two neighboring frames.
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