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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 18 Glossary 537
compound clip You can use compound clips to group any combination of clips in
the Timeline or the Event Browser, and nest clips within other clips. You can open any
compound clip, edit its contents in the Timeline, and then close it. Compound clips can
contain video and audio clip components, clips, and other compound clips. Eectively,
each compound clip can be considered a mini project, with its own distinct project
settings. Compound clips function just like other clips: you can add them to your
project, trim them, retime them, and add eects and transitions.
compression The process by which video, graphics, and audio les are reduced in
size. “Lossy” compression refers to a process of reducing video le sizes through the
removal of redundant or less noticeable image data. Lossless compression reduces le
sizes by mathematically consolidating redundant image data without discarding it.
connected clip Connected clips are attached to clips in the primary storyline in the
Timeline. They are useful for cutaway shots, superimposed or composited images, and
sound eects. Connected clips remain attached and synchronized until you explicitly
move or remove them. A sequence of connected clips is a storyline.
contrast The dierence between the lightest and darkest values in an image. High-
contrast images have a large range of values from the darkest shadow to the lightest
highlight. Low-contrast images have a more narrow range of values, resulting in a
“atter” look.
cross dissolve A common type of video transition, in which the rst shot fades out
while the second shot simultaneously fades in. During the cross dissolve, the two shots
are superimposed as they fade.
crossfade A common type of audio transition, in which the rst shot’s audio fades
down while the second shot’s audio simultaneously fades up. During the crossfade,
audio from both shots is heard.
cut An edit in which one clip immediately follows another, with no transition eect.
This is the simplest type of edit.
cutaway shot A shot that is related to the current subject and occurs in the same time
frame (for example, an interviewer’s reaction to what is being said in an interview).
Often, a cutaway shot is used to eliminate an unwanted visual section of another shot.
The audio usually remains continuous during the cutaway, helping to make the edit
less noticeable.
Dashboard The Dashboard appears in the center of the toolbar and provides
a timecode display as well as icons showing audio levels and the status of
background tasks.










