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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 18 Glossary 535
Blade tool The editing tool that allows you to cut clips in the Timeline. You can select
the Blade tool by pressing the B key.
blue laser media Blu-ray burners and players use a blue laser when working with Blu-
ray media. The blue color has a shorter wavelength, making it possible to store more
data on a disc when compared to red lasers.
blue or green screening See chroma key.
broadcast-safe Broadcast facilities have limits on the maximum values of luma and
chroma that are allowable for broadcast. If a video exceeds these limits, distortion can
appear, resulting in unacceptable transmission quality. You can use the Final Cut Pro
video scopes to make sure that the luma and chroma levels you set stay within
acceptable limits.
B-roll A term used to describe alternate footage shot to intercut with the primary
shots used in a program. B-roll is frequently used for cutaway shots.
BWF (Broadcast Wave Format) An extension of the WAV le format that includes
additional metadata such as timecode and production information.
CAF (Core Audio Format) Apple’s Core Audio Format (CAF) is a exible le format
for storing and manipulating digital audio data. It is fully supported by Core Audio
APIs on Mac OS X v10.4 and later and on Mac OS X v10.3 with QuickTime 7 or later.
CAF provides high performance and exibility, and is scalable to future ultra high-
resolution audio recording, editing, and playback.
chroma The color information contained in a video signal, consisting of hue, which
represents the color itself, and saturation, which represents the intensity of the color.
chroma key A special eects technique that allows you to derive an alpha channel
or matte from the blue or green background of a video clip in order to make it
transparent for the purpose of compositing it against other clips. Blue-screen
technology is what makes weather forecasters appear to be standing against an
animated map, when in reality they’re standing in front of a blue wall. Also known as
blue or green screening. See also alpha channel.
clip The term used to describe a video or audio asset, especially after it has been
imported into Final Cut Pro. Clips appear in the Event Browser, the Timeline, and the
media browsers. Clips in Final Cut Pro point to (link to) source media les stored on
a disk. When you modify a clip, you are not modifying the media le, just the clip’s
information in Final Cut Pro. (This is known as nondestructive editing.)
clipping Distortion occurring during the playback or recording of digital audio
because of a signal that exceeds the maximum sample value of 0 dBFS.










