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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Import preferences
When you import media into Final Cut Pro using the Camera Import window or
the Import Files window, you can customize your import settings each time you
import les. However, if you drag media directly from the Finder into Final Cut Pro,
Final Cut Pro uses the import settings you selected in the Final Cut Pro Import
preferences window.
Organizing
 Copy les to Final Cut Pro Events folder: Duplicates the media les and places the
copy in the Final Cut Events folder on your system. If you’re importing media from
a dierent disk or volume, or if you want to keep a copy of all the media les that
have been imported into Final Cut Pro in the same location, select this checkbox.
 Import folders as Keyword Collections: Creates a Keyword Collection for each folder in
the les you’re importing. If the les you’re importing are in folders with meaningful
names, select this option to keep the le organization that exists in the Finder. (Note
that although Keyword Collections are not nested in the Event Library, every le in a
folder will get a Keyword Collection for each folder it is in, whether it is one, two, or
more levels deep in that folder.)
Transcoding
 Create optimized media: This option transcodes video to the Apple ProRes 422 codec,
which provides better performance during editing, faster render times, and better
color quality for compositing. This option transcodes still images to either JPEG (if
the original le doesn’t have alpha channel information) or PNG les (if the le has
alpha channel information). If the original camera format can be edited with good
performance, this option will be dimmed.
500 Chapter 16 Preferences and metadata










