X
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 16 Preferences and metadata 499
Playback
 Use proxy media: Click this button to use medium-quality proxy media (converted
to one-quarter resolution) rather than full-resolution media for playback. Choosing
this option increases playback performance, but the video quality is lower. In
Final Cut Pro, proxy media is in the Apple ProRes 422 (Proxy) format.
 Use original or optimized media: Click this button to use the optimized media for
playback. If optimized media is not available, Final Cut Pro uses the original media
for playback. In that case, use the Playback Quality pop-up menu to choose
whether to always use the highest-quality video for playback or downsized video
for better playback performance. In Final Cut Pro, optimized media is in the Apple
ProRes 422 format.
 Create optimized media for multicam clips: Select this checkbox to automatically
transcode multicam clip video to the Apple ProRes 422 codec, which provides better
performance during editing and faster render times.
 Warn when dropping frames during playback: Select this checkbox to have
Final Cut Pro warn you when frames are dropped during playback.
 Warn when frames are dropped due to hard disk performance: Select this checkbox to
have Final Cut Pro warn you when frames are dropped during playback specically
because of hard disk performance.
Pre-Roll Duration
 Pre-Roll Duration: Use this value slider to set the amount of time to play before an
audition or before the skimmer or playhead position when using the Play Around
command.
Post-Roll Duration
 Post-Roll Duration: Use this value slider to set the amount of time to play after an
audition or after the skimmer or playhead position when using the Play Around
command.
Player Background
 Player Background: Use this pop-up menu to choose a background for the
Viewer. The color you choose will be visible in the case of partially or completely
transparent clips, or clips that do not ll the frame completely.
A/V Output
 A/V Output: Use this pop-up menu to choose an external audio/video device or
monitor for output. A/V output requires third-party video interface hardware and
software and is available only with OS X Lion v10.7.2 or later. For more information,
see “View playback on an external video monitor” on page 90.










