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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Remove a SAN location
1 In the Event Library or the Project Library, select the SAN location you want to remove.
2 Choose File > Remove SAN Location.
The SAN location disappears from Event Library and the Project Library. The
SAN location, and any Events or projects stored there, are now available to other
Final Cut Pro users on the network.
Createandmanagecameraarchives
You can make a camera archive (backup copy) of the contents of your camera or
camcorder. (Note that you cannot make an archive from a live video signal, such as the
signal produced by an iSight camera.) It is recommended that you save your archive
to a disk or partition dierent from the one where you store the media les used with
Final Cut Pro.
Because you can import media into Final Cut Pro from an archive, archiving the media
on your device can be useful if you want to:
Quickly empty the contents of your camera or camcorder so that you can record Â
more media right away, rather than wait for it to import into Final Cut Pro, which can
take time.
Import the archived media on multiple computers without having to keep it on Â
the camcorder.
Keep a browsable, “near-line” archive of media from a camera without having to Â
import the media into Final Cut Pro.
See “Access media on an archive or disk image” on page 42 for information on how to
import media into Final Cut Pro from a camera archive.
Archive the media on your le-based camera or camcorder
1 If you want to save the archive to an external hard disk, connect it to your computer.
2 Connect the camera or camcorder to your computer using the cable that came with it,
and turn it on.
If you’re using a camcorder, set it to PC Connect mode. The name of this transfer mode
may be dierent on your device. Your camcorder may automatically go into “connect”
mode if you turn it on in playback mode while it’s connected to your computer. For
more information, see the documentation that came with your camcorder.
Note: Connecting a DVD camcorder to your Mac can cause the DVD Player application
to open. If that happens, simply close DVD Player.
488 Chapter 15 Managemediales










