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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Export an image from your project
You can save a single image le of any video frame in your project.
Save a still frame
1 Select the project, and in the Timeline, place the playhead at the frame you want to
save, and choose Share > Save Current Frame.
2 Choose a format from the Export pop-up menu.
3 To see details about the le that will be output, click Summary.
4 To scale the output le to use square pixels and maintain the original aspect ratio
(which results in an increase or decrease in the number of horizontal and vertical
pixels), select “Scale image to preserve aspect ratio.”
The checkbox aects only projects whose video resolution uses non-square pixels,
such as NTSC and PAL formats. If the checkbox is not selected (the default setting), the
output le uses the same pixel aspect ratio and has the same number of horizontal
and vertical pixels as the original video.
5 Click Next.
6 Type a name and choose a location for the saved le, and click Save.
Final Cut Pro renders and saves your still image le.
Export your project as an image sequence
You can export your project as an image sequence—a set of sequentially numbered
still-image les.
Export an image sequence
1 Select the project and choose Share > Export Image Sequence.
2 Choose the image le format from the Export pop-up menu.
3 To scale the output les to use square pixels and maintain the original aspect ratio
(which results in an increase or decrease in the number of horizontal and vertical
pixels), select “Scale image to preserve aspect ratio.”
The checkbox aects only projects whose video resolution uses non-square pixels,
such as NTSC and PAL formats. If the checkbox is not selected (the default setting), the
output les use the same pixel aspect ratio and have the same number of horizontal
and vertical pixels as the original video.
4 To see details about the le that will be output, click Summary.
5 To take advantage of distributed processing or to send your project to Compressor,
click Advanced.
For information on the Advanced options, see “Export your project using
Compressor” on page 456.
454 Chapter 14 Shareyourproject










