X
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
8 Click Next, read the terms of service, and click Publish.
Final Cut Pro renders your movie and uploads it to Facebook. The length of time it
takes for your movie to appear depends on website trac. You can monitor the render
progress using Share Monitor.
For information about working with the project after it has been published, see
“Shared projects overview” on page 459.
Publish your project to Vimeo
If you have a Vimeo account, you can publish a project to Vimeo directly from
Final Cut Pro. To create a free Vimeo account, visit the Vimeo website.
Publish your project to Vimeo
1 Select the project and choose Share > Vimeo.
2 Choose your account from the Account pop-up menu, or click Add to add an
existing account.
If you don’t have an account, go to the Vimeo website (www.vimeo.com) and create
one rst.
3 Type the requested information:
 Password: Your Vimeo account password.
 Viewable by: The subset of people who can view your video.
 Title: The movie name you want viewers to see.
 Description: Information about your movie for viewers to read.
 Tags: Keywords that viewers can use to search for and nd your movie.
4 Choose a size for your published movie from the Size pop-up menu, or, to have
Final Cut Pro choose the size based on your project’s media, select “Set size
automatically.”
Position the pointer over the blue Information icon to see details about the le that
will be output.
5 From the Compression pop-up menu, choose “Better quality (multi-pass)” if you want
the best quality or “Faster encode (single-pass)” if you are willing to sacrice quality for
faster processing.
6 To see details about the le that will be output, click Summary.
446 Chapter 14 Shareyourproject










