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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
4 In the Video inspector, click the Keyframe button.
Click here to add
a keyframe.
A keyframe is added at the position of the playhead. You can see it in the Timeline by
pressing Control-V to open the Video Animation Editor. The keyframe appears in the
Color section as a diamond at the playhead position.
Keyframe indicator
5 Move the playhead to the next point in the clip where you want to dene the shape
mask’s position, reposition the shape mask, and add the second keyframe.
6 To reposition the shape mask throughout the clip, continue adding keyframes until
you’ve dened the shape movement you want.
When you’ve added all the keyframes, you can play the clip to see the shape mask
move between them. For more information about working with keyframes, see “Video
animation overview” on page 270.
Add shape masks to a color mask
Often when you create a color mask, more areas of the video are aected by it than
you would like. For example, there might be a red car on the left side of the screen
that you want to color correct, and a red stop sign on the right that you don’t want
to aect. In this situation, you can add one or more shape masks to restrict the color
mask to the areas dened by the shape masks.
Add a shape mask to a color mask
1 Select a clip in the Timeline, and use the Video inspector to add a color mask to it.
2 Apply a color correction using the Color Board, and note areas of the video that you
don’t want the color mask to aect.
For more information about working with the Color Board, see “Color correct the
whole image” on page 414.
422 Chapter 13 Color correction










