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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
4 To have Final Cut Pro copy your media les and add them to the Final Cut Pro Event
folder that you specied, select the checkbox.
5 If you want to organize your media, transcode your media, analyze the video, or
analyze the audio, select the relevant checkboxes.
If you don’t set Final Cut Pro to analyze your media during the import process, you can
analyze it later (if necessary) in the Event Browser.
6 Click Import.
Final Cut Pro imports your media in the background. If you selected any options in the
previous step, Final Cut Pro transcodes and optimizes the les after the import process
is complete. You can view the progress of the background tasks in the Background
Tasks window.
Import media by dragging from the Finder
Do one of the following:
Select a le, Command-click to select multiple les, or select a folder of les, and drag m
them from the Finder to the Event.
The clip or clips appear in the Event.
Select a le, Command-click to select multiple les, or select a folder of les and drag m
them from the Finder to a Keyword Collection.
The clip or clips appear in the Event, and the keyword is automatically added to the
clip or clips.
Important: If you have the “Import folders as Keyword collections” Import preference
selected, a Keyword Collection will be created for each folder name, and the les inside
the folder will get that keyword.
Select a le or Command-click to select multiple les and drag them to your m
project’s Timeline.
The clip or clips appear in the Timeline, and in the project’s default Events folder.
The le or les are imported using your default import settings.
Access media on an archive or disk image
If you’ve created a camera archive, you can use the media in the archive in two ways:
You can connect to the camera archive, making the media available to Final Cut Pro. Â
While all available camera archives are always listed in the Camera Import window,
you can’t use any of the media in an archive until you’ve connected to the
camera archive.
You can import the media from the archive, or import media from disk images Â
previously archived with the Final Cut Pro Log and Transfer window. When you do
this, copies of the media are created on your local disk.
42 Chapter 3 Importmedia










