X
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Adjustcolormanually
Manual color correction overview
Final Cut Pro includes a powerful manual color correction tool that you can use to
accomplish a wide variety of color correction or enhancement eects:
 Apply a color correction to the whole image: Adjust the color tint, color saturation, and
exposure for the whole clip image. See “Color correct the whole image” on page 414 .
 Choose a specic color in the image to correct: For example, choose a brightly colored
object, such as a shirt or car, and use the color correction settings to mute or change
the color. See “Target a specic color using a color mask” on page 417.
 Choose an area of the image to correct: Draw one or more shape masks, and then
choose whether the correction applies inside or outside the masks. You can even
have the position of the masks change as the clip plays. See “Target specic areas
using shape masks” on page 419.
You can also apply multiple color corrections to a single clip and use shape masks
in combination with a color mask. For example, you could use one correction to set
the clip’s overall color look, a second to target and alter a specic color, and a third to
target a dierent color or an area dened by a shape mask. See “Apply multiple color
corrections” on page 423 and “Add shape masks to a color mask” on page 422.
You make manual color adjustments using the Color Board.
Color correct the whole image
You use the Color Board to manually adjust a clip’s color, saturation, and exposure.
Manually color correct the whole clip image
1 Select a clip in the Timeline, and do one of the following:
Choose Window > Show Color Board (or press Command-6). Â
Choose Show Color Board from the Enhancements pop-up menu in the toolbar. Â
414 Chapter 13 Color correction










