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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 12 Keyingandcompositing 397
4 To adjust the white and black clip values, drag the handles at either end of the
gradient thumbnail image.
By default, these handles are set to provide a linear key where the luma level linearly
controls the transparency of the foreground—100% white is fully opaque, 0% black is
completely transparent, and 25% gray retains 25% of the foreground image. Dragging
the white and black controls changes the values that result in fully opaque or fully
transparent foreground video.
5 To adjust the softness of the edges, adjust the Luma Rollo control.
Higher values make the edges harder, removing any partial transparency, while lower
values take advantage of any anti-aliasing or softness the edges might have.
6 To help ne-tune the key, use the View options:
Original
(unprocessed
foreground)
Matte (foreground-based
alpha signal created
by the keyer)
Composite
(foreground combined
with background)
The name of the
currently selected
View button
 Composite: Shows the nal composited image, with the keyed foreground subject
over the background clip. This is the default view.
 Matte: Shows the grayscale matte, or alpha channel, that’s being generated by
the keying operation. White areas are solid, black areas are transparent, and
varying shades of gray indicate varying levels of transparency. Viewing the alpha
channel makes it easier to spot unwanted holes in the key or areas that aren’t
transparent enough.
 Original: Shows the original, unkeyed image.
7 To leave smoothly aliased text or graphics in the image visually intact, which can
improve the edges, select Preserve RGB.
8 To mix the keyed eect with the unkeyed eect, adjust the Mix control.
For information about making advanced luma key adjustments, see the following
instructions.










