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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
 Soften: Use this slider to blur the keyed matte, feathering the edges by a
uniform amount.
 Erode: Drag this slider right to gradually increase transparency from the edge of the
solid portion of the key inward.
4 Click Spill Suppression to reveal the following controls:
 Spill Contrast: Use this grayscale gradient to adjust the contrast of the color being
suppressed, using Black and White point handles (and corresponding sliders).
Modifying spill contrast can reduce the gray fringing surrounding a foreground
subject. The Black point handle (on the left side of the gradient control) lightens
edge fringing that is too dark for a successful composite. The White point handle
(on the right side of the gradient control) darkens edge fringing that is too light.
Depending on how much spill is neutralized by the Spill Level slider, these controls
may have a greater or lesser eect on the subject.
 Black, White: Click the disclosure triangle in the Spill Contrast row to reveal sliders for
the Black and White point parameters. These sliders, which mirror the settings of the
Spill Contrast handles described above, allow you to keyframe the Black point and
White point parameters (via the Add Keyframe button to the right of each slider).
 Tint: Use this slider to restore the natural color of the keyed foreground subject.
Because the Spill Suppression controls eliminate blue or green spill by desaturating
subtle blue or green fringing and reection on the subject, the Tint slider lets you
add hues to restore the natural color of the subject. Overdoing this parameter
results in over-tinting the subject with the complementary color of the hue being
suppressed—magenta if green, and orange if blue.
 Saturation: Use this slider to alter the range of hues introduced by the Tint slider
(when the Tint slider is used at moderate levels).
392 Chapter 12 Keyingandcompositing










