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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 12 Keyingandcompositing 391
 Luma Rollo: Use this slider to adjust the linearity of the luma rollo slope (the ends
of the bell-shaped luma curve displayed in the Luma control). Luma rollo modies
the softness of the matte around the edges of regions that are aected most by the
Luma control. Lowering this value makes the slope between the upper and lower
handles in the Luma control more linear, which increases edge softness in the matte.
Raising this value makes the slope steeper, sharpening the edges of the matte and
making them more abrupt.
 Fix Video: Select this checkbox to apply subpixel smoothing to the chroma
components of the image, reducing the jagged edges that result from keying
compressed media using 4:2:0, 4:1:1, or 4:2:2 chroma subsampling. Although
selected by default, this checkbox can be deselected if subpixel smoothing
degrades the quality of your keys.
3 Click Matte Tools to reveal the following controls:
 Levels: Use this grayscale gradient to alter the contrast of the keyed matte, by
dragging three handles that set the black point, white point, and bias (distribution
of gray values between the black point and white point). Adjusting the contrast of
a matte can be useful for manipulating translucent areas of the key to make them
more solid (by lowering the white point) or more translucent (by raising the black
point). Dragging the Bias handle right erodes translucent regions of the key, while
dragging the Bias handle left makes translucent regions of the key more solid.
 Black, White, Bias: Click the disclosure triangle in the Levels row to reveal sliders for
the Black, White, and Bias parameters. These sliders, which mirror the settings of the
Levels handles described above, allow you to keyframe the three Levels parameters
(via the Add Keyframe button to the right of each slider). Keyframing the Black,
White, and Bias parameters may yield a better key, one that adapts to changing
blue-screen or green-screen conditions.
 Shrink/Expand: Use this slider to manipulate the contrast of the matte to aect matte
translucence and matte size simultaneously. Drag the slider left to make translucent
regions more translucent while simultaneously shrinking the matte. Drag the slider
right to make translucent regions more solid while simultaneously expanding
the matte.










