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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Open a multicam clip in the Angle Editor
Do one of the following:
Double-click a multicam clip in the Event Browser. m
Control-click a multicam clip in the Event Browser or the Timeline, and choose Open in m
Angle Editor from the shortcut menu.
The Angle Editor opens in the Timeline area at the bottom of the Final Cut Pro
window. Although similar to the Timeline, the Angle Editor provides a separate
interface dedicated to editing angles and clips inside multicam clips. Each angle
in the multicam clip appears as a separate row in the Angle Editor.
The Angle Editor appears
in the Timeline area.
Set video and audio monitoring in the Angle Editor
In the Angle Editor, you can set any one angle to be the monitoring angle. This is the
angle you see in the Viewer when the multicam clip is playing back in the Angle Editor.
You can also monitor the audio of any number of angles at once.
You use the monitoring angle to synchronize angles in the Angle Editor. The
monitoring angle is not the same thing as the active angle (which you see in the
Timeline). You cannot cut and switch between angles in the Angle Editor.
Note: Setting the correct monitoring angle is important for the two synchronization
commands described later in this section: Sync to Monitoring Angle and Sync Angle to
Monitoring Angle Using Audio.
372 Chapter 11 Advancedediting










