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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
 Camera Name: Final Cut Pro creates angles in the multicam clip based on the
Camera Name property of the selected clips.
 Clips: Final Cut Pro creates a separate angle for each selected clip, using the Name
property in each clip to name the angle.
6 In the Angle Clip Ordering pop-up menu, choose how angles are ordered within the
multicam clip:
 Automatic: Final Cut Pro orders the clips within each angle automatically. If there is
more than one clip per angle, Final Cut Pro inserts gap clips between the clips, as
needed, to achieve the correct timing and spacing.
 Timecode: Final Cut Pro orders the clips within each angle using timecode recorded
in the clips. If you recorded timecode in your clips, choose this option. It’s the fastest
and most frame-accurate method of ordering clips.
 Content Created: Final Cut Pro orders the clips within each angle using the date and
time information recorded by your camcorder or video recording device.
The Content Created method can position clips within one-second accuracy
(since, in most camcorders, the smallest unit in date and time information is
one second). If you choose this clip-ordering method, you will probably need to
manually synchronize your angles in the Angle Editor to make your multicam clip
frame-accurate.
Note: At any time, you can change the Content Created date and time of your
source clips in the Event Browser. Just select one or more clips and choose Modify >
Adjust Content Created Date and Time.
7 In the Angle Synchronization pop-up menu, choose how angles are synchronized in
the multicam clip:
 Automatic: Final Cut Pro synchronizes the angles automatically (using one or more
of the following methods).
 Timecode: Final Cut Pro synchronizes the angles based on the timecode recorded
in the clips. For more information about recording timecode, see “Multicam editing
workow” on page 352.
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Sync point
358 Chapter 11 Advancedediting










