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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 11 Advancedediting 337
You can modify the project’s settings at any time, and you can control, on a clip-by-
clip basis, how Final Cut Pro conforms an individual clip’s frame rate and frame size to
match the project settings.
Note: Compound clips can be thought of mini projects, each with its own distinct
project settings. All of the project information in this section applies equally to
compound clips.
Here are things to keep in mind when working with multiple formats and frame sizes:
Choose video and audio project properties based on how you intend to share your Â
nal movie with your audience. For example, if you’re editing a project with mixed-
format media and you intend to share it as 1080p HD, you should set your project’s
video properties to 1080p HD.
If you’re unsure of the nal distribution format, the most important decision you can Â
make before creating your project is choosing your project’s frame rate. It’s easy to
change the format and the frame size of your project at any time, but changing the
frame rate can cause all the edit points in your project to shift in time.
If you have a clip that matches the video and audio properties of the format Â
in which you intend to share your project, add this clip to your project rst.
Final Cut Pro automatically creates matching project settings. This saves you time by
preventing you from having to change your project settings later.
Tip: ∏ If the rst clip you add to a project is an audio clip or a still-image clip,
Final Cut Pro prompts you to choose the video properties for your project. Cancel the
edit, add a video clip whose source media le has the video properties you require for
your project, and then add the non-video clip to your project.
Choose a method of conforming frame size
You can choose how Final Cut Pro modies the frame size of a clip to match the
project’s frame size settings. For example, you can have Final Cut Pro change the frame
size of the clip to t within the longest dimension of the project’s frame dimensions,
ll the entire frame of the project (which usually results in cropping), or leave the clip’s
frame size as is.
1 Add a clip to the Timeline with a frame size that doesn’t match the current project’s
frame size (resolution) settings.
2 Select the clip in the Timeline.
3 To open the Video inspector, click the Inspector button in the toolbar (shown below),
and click the Video button at the top of the pane that appears.










