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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Import spanned clips
Some le-based camcorders or devices that have more than one memory card slot can
record one shot over multiple memory cards. The resulting shot is called a spanned clip.
A good way to import a spanned clip into Final Cut Pro is to attach your camera or
card reader to your local system and create a camera archive for each memory card.
You can store the camera archives on your local system or on an external storage
device until you are ready to import the spanned clip. (Even if you are importing the
spanned clip immediately, it’s useful to make the camera archive so you have a backup
of the footage that makes up the spanned clip.) Then, when you’re ready to import,
you can mount all of the camera archives and import the spanned clip.
Create a camera archive for each memory card
1 Connect your camcorder or camera to your computer and turn it on, or connect your
card reader and memory card to your computer. If you’ll be saving the camera archives
to an external storage device, connect that as well.
2 In Final Cut Pro, do one of the following:
Choose File > Import from Camera (or press Command-I). Â
Click the Import from Camera button on the left end of the toolbar. Â
The Camera Import window appears.
3 Select a memory card to archive from the list of cameras on the left.
4 Click the Create Archive button at the bottom-left corner of the window.
5 In the “Create Camera Archive as” eld, type a name for the archive.
6 Choose a location to save the archive from the Destination pop-up menu, and click OK.
Note: It is recommended that you save your archive to a disk or partition dierent
from the one where you store the media les used with Final Cut Pro.
7 Repeat steps 3-6 to create camera archives for each of the memory cards that contain
a portion of the spanned clip.
The camera archives appear in the Camera Archives list in the Camera Import window.
See “Create and manage camera archives” on page 488 for more information about
creating camera archives.
30 Chapter 3 Importmedia










