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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 10 Addtransitions,titles,eects,andgenerators 247
8 To nish, click Done in the upper-right corner of the Viewer.
When you play the clip, the video moves smoothly between the keyframes, creating an
animated eect. You can actually add multiple keyframes by moving the playhead to a
new position and changing the eect’s controls. For more information on working with
keyframes, see “Video animation overview” on page 270.
Adjust the Transform eect animation path
Transform animations have additional keyframe controls you can use to ne-tune the
animation path. To show these, you rst need to create a simple three-corner eect.
The Add Keyframe button
changes to a Delete Keyframe
button when you are
positioned on a keyframe.
The center keyframe
1 Select a clip in the Timeline and put the playhead at its start.
2 Click the Transform button in the lower-left corner of the Viewer (or press Shift-T),
and drag the onscreen controls to reduce the image’s size and place it in the
upper-left corner.
3 Click the Add Keyframe button.
4 Move the Timeline playhead to the middle of the clip.
5 Use the Transform onscreen controls to move the image to the upper-right corner.
A keyframe is automatically added, and a red line appears showing the animation’s
path so far.
6 Move the Timeline playhead to the end of the clip.
7 Use the Transform onscreen controls to move the image to the bottom center.
A keyframe is automatically added, and the red line extends to this new point.










