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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 9 Addandadjustaudio 201
 -3dB: Starts slowly and then moves quickly toward the end. This is the default
setting and is best for maintaining a natural volume when crossfading between
two adjacent clips.
Pan audio
Panning audio lets you distribute sound across the stereo or surround spectrum to
create balance or a special eect. For example, you can place more sound in the right
channel of a stereo clip or less sound in the center channel of a surround clip.
Final Cut Pro includes a built-in surround sound decoder that lets you choose among
several stereo and surround preset pan modes that you can apply to clips from the
Audio inspector. Using the pan mode presets, you can dynamically re-create surround
sound elds from stereo source content.
When you change the pan mode in the Audio inspector, the setting is applied to the
entire selection. To make more precise adjustments, you can add keyframes using the
Audio Animation Editor or the Audio inspector, and then make adjustments to them in
the Audio inspector.
Pan audio for stereo
1 Select the audio clip.
2 In the Audio inspector, choose Stereo Left/Right from the Pan Mode pop-up menu.
3 Move the sound left or right by doing one of the following:
Type a value in the Pan Amount eld. Â
Drag the Pan Amount slider left or right. Â
Pan audio for surround sound
1 Select the audio clip.
2 In the Audio inspector, choose one of the following options from the Pan Mode
pop-up menu:
 Create Space: Distributes the signal across the surround spectrum, with more signal
to the center and front left and right channels. This setting is useful for making
a general-purpose surround mix from any stereo source. The Pan Amount slider
setting can be adjusted from 0 (no eect) to 100 (total surround eld).
 Dialogue: Pans more signal to the center channel of the surround spectrum so that
the direct sound is in the center, while ambient sound is distributed to the other
channels. This setting is best used for voiceover or other dialogue clips. The Pan
Amount slider setting can be adjusted from 0 (no eect) to 100 (all sound to the
center channel).
 Music: Distributes a stereo mix signal evenly across the surround spectrum. This
setting is best used for converting stereo music to a surround mix. The Pan Amount
slider setting can be adjusted from 0 (no eect) to 100 (total surround eld).










