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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
17 2
Audiooverview
Final Cut Pro has many features designed to make processing and editing audio easier.
For example, you can use Final Cut Pro to analyze and automatically enhance audio to
address problems such as noise or hum, add eects to your clips, synchronize video
and audio clips automatically, and match audio between two clips.
This chapter includes information about some frequently used audio tasks, including
the following:
 Adjust volume: Quickly adjust a clip’s volume directly in the Timeline or in the Audio
inspector. See “Adjust volume” on page 192.
 Pan audio: Take advantage of built-in pan presets for both stereo and surround
sound. See “Pan audio” on page 201.
 Create fades: Fade clips in or out with easy-to-use fade handles. See “Fade audio in or
out” on page 197.
 Add audio eects: Add Audio Units eects, Logic Eects, or custom eects included
with Final Cut Pro, such as reverb, to clips. See “Add audio eects” on page 175.
 Add keyframes to automate volume and eects: Vary volume or eect settings as a clip
plays. See “Adjust audio eects using keyframes” on page 181.
You use the same tools used for video editing when you edit audio clips
in Final Cut Pro. The following editing features are covered elsewhere in
Final Cut Pro Help:
 Change edit mode: Set the edit mode for a clip to video only or audio only. See “Add
clips using video-only or audio-only mode” on page 12 2 .
 Add markers to clips: Add markers to mark specic reference points within an audio
clip. For more information, see “Markers overview” on page 166.
 Trim audio: Make precision edits to the audio waveform—for example, to take out an
unwanted sound in the recording. See “Trimming overview” on page 134.
 Add audio crossfades: Create a smooth transition when connecting two separate
audio waveforms. See “Add transitions to your project” on page 221.
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Add and adjust audio










