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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Have Final Cut Pro analyze your video and nondestructively x common problems Â
such as camera shake, excess hum, or loudness. You can also have Final Cut Pro
detect the presence of people or the shot type, and automatically apply keywords
such as One Person or Wide Shot.
Organize your media using Keyword Collections, which automatically group clips Â
based on keywords, and Smart Collections, which automatically group clips based
on criteria you specify.
Try out clips in your project using auditions—sets of alternate takes, eects, or text Â
treatments—and then choose the best clip for the edit.
Create compound clips to group any combination of clips, and nest clips within Â
other clips.
Use connected clips and storylines to add cutaway shots, superimposed titles, and Â
sound eects to your project. Connected clips and storylines always stay in sync.
Add special eects to video, audio, and photos, and adjust them using keyframes Â
and onscreen controls. You can also change clip speed to create fast-motion or
slow-motion eects.
Automatically balance and match color, or use the color correction tools to precisely Â
control the look of any clip in your project.
Publish your project directly to websites such as YouTube and Facebook, or send Â
your project to iTunes for syncing with Apple devices such as iPhone, iPad, and
Apple TV.
FinalCutProworkowoverview
To give you an idea of the possibilities, the overall process for putting together a movie
with Final Cut Pro is described below. You don’t have to do every step, and you might
do others that aren’t listed. The workow isn’t necessarily linear. You could, for example,
go all the way through editing and adding eects, and then import more new media
for your project.
Import your media into Final Cut Pro
To use Final Cut Pro, you need to transfer your media (video, audio, and still images)
from your recording device to your computer or an external disk. You can import
media from many kinds of cameras and other devices, or from other applications such
as iMovie.
16 Chapter 2 Final Cut Pro basics










