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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your media
- Chapter 6: Play back and skim media
- Chapter 7: Create and manage projects
- Chapter 8: Edit your project
- Editing overview
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Add and remove markers
- Correct excessive shake and rolling shutter issues
- Chapter 9: Add and adjust audio
- Chapter 10: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set the default duration for transitions
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 11: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Edit with mixed-format media
- Use roles to manage clips
- Use XML to transfer projects and Events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Event Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 12: Keying and compositing
- Chapter 13: Color correction
- Chapter 14: Share your project
- Chapter 15: Manage media files
- Chapter 16: Preferences and metadata
- Chapter 17: Keyboard shortcuts and gestures
- Chapter 18: Glossary
Chapter 8 Edityourproject 151
Note: If either the start point or the end point turns red as you drag, you’ve reached
the end of the available media for that side of the clip.
Make slide edits with the Trim tool
Performing a slide edit allows you to move a clip’s position in the Timeline between
two other clips without creating a gap. The clip’s content and duration remain the
same; only its position in the Timeline changes. When you slide a clip, the adjacent
clips get longer and shorter to accommodate the change in the clip’s position. The
combined duration of these three clips stays the same, and the project’s total duration
remains unchanged as well.
A B C
A B C
Before edit
After edit
Note: To slide a clip between two others, the preceding clip and the following clip
must have media handles, additional media available beyond the edit point. You can
double-click any edit point to view or adjust its media handles in the Precision Editor.
If there are no media handles available, consider using the Position tool instead.
For more information about the Position tool, see “Arrange clips in the Timeline” on
page 126.
For more accurate visual feedback on edits involving contiguous clips, you can turn
on “Show detailed trimming feedback” in Final Cut Pro preferences. For a slide edit,
this “two-up” display in the Viewer shows the two edit points you are adjusting: the
end point of the preceding clip and the start point of the subsequent clip. For more
information, see “Show detailed trimming feedback” on page 154.










