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Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your library
- Chapter 6: Play back and skim media
- Chapter 7: Edit your project
- Editing overview
- Create and manage projects
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Create freeze frames
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Work with markers
- Correct excessive shake and rolling shutter issues
- Chapter 8: Edit audio
- Chapter 9: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set transition defaults
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- About themes
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 10: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Conform frame sizes and frame rates
- Use roles to manage clips
- Use XML to transfer projects and events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 11: Keying and compositing
- Chapter 12: Color correction
- Chapter 13: Share your project
- Chapter 14: Manage media, libraries, and archives
- Chapter 15: Preferences and metadata
- Chapter 16: Keyboard shortcuts and gestures
- Glossary
Chapter 8 Editaudio 167
5 To specify other voiceover settings, click the Advanced disclosure triangle and do any of the
following:
•
To change the input device or the number of input channels (mono or stereo): Choose an option
from the Input pop-up menu. The default choice of System Setting uses the rst channel of
the input device currently selected in OS X Sound preferences.
Tip: If you always want to record with a particular device or a particular channel on a
multichannel audio device, choose that device/channel pair from the Input pop-up menu
instead of System Setting. Final Cut Pro remembers the setting and indicates in the Input
pop-up menu whether the device is available.
•
To listen to your microphone input as you record: Set Monitor to On. The microphone audio plays
from the output device currently selected in OS X Sound preferences. There is no input signal
when monitoring is o.
Tip: To listen to a live mix of both microphone and project audio, set Monitor to On and
deselect the “Mute project while recording” checkbox below.
•
To adjust the monitoring level: Drag the Gain slider right to increase the monitoring level, or left
to decrease it (or type a dB value in the Gain eld).
Note: If the built-in microphone is selected, the Gain slider automatically resets to zero to
prevent feedback from the built-in speakers when monitoring is turned on. To avoid feedback,
use headphones or external speakers placed away from the microphone.
•
To turn o the automatic countdown before recording: Deselect the “Countdown to record”
checkbox.
•
To unmute project audio while recording: Deselect the “Mute project while recording” checkbox.
•
To turn o automatic grouping of multiple voiceover takes into auditions: Deselect the “Create
Audition from takes” checkbox.
•
To change where the recording is saved: Choose an event in the current library from the Event
pop-up menu.
6 To start recording, click the Record button (or press Option-Shift-A).
7 To stop recording, click the Record button (or press the Space bar or Option-Shift-A).
Your audio recordings are attached to the primary storyline at the playhead position.
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