X
Table Of Contents
- Final Cut Pro X Logic Effects Reference
- Contents
- An Introduction to Logic Effects for Final Cut Pro X
- Distortion Effects
- Echo Effects
- Delay Designer
- Getting to Know the Delay Designer Interface
- Getting to Know Delay Designer’s Main Display
- Using Delay Designer’s View Buttons
- Zooming and Navigating Delay Designer’s Tap Display
- Creating Taps in Delay Designer
- Selecting Taps in Delay Designer
- Moving and Deleting Taps in Delay Designer
- Using Delay Designer’s Tap Toggle Buttons
- Editing Parameters in Delay Designer’s Tap Display
- Aligning Delay Designer Tap Values
- Editing Filter Cutoff in Delay Designer’s Tap Display
- Editing Pan in Delay Designer’s Tap Display
- Editing Taps in Delay Designer’s Tap Parameter Bar
- Editing Delay Designer Taps with the Shortcut Menu
- Resetting Delay Designer Tap Values
- Using Delay Designer’s Master Section
- Working with Delay Designer in Surround
- Modulation Delay
- Stereo Delay
- Tape Delay
- Delay Designer
- Equalizers
- Levels Effects
- Modulation Effects
- Spaces Effects
- Space Designer Convolution Reverb
- Getting to Know the Space Designer Interface
- Working with Space Designer’s Impulse Response Parameters
- Working with Space Designer’s Envelope and EQ Parameters
- Working with Space Designer’s Filter
- Working with Space Designer’s Global Parameters
- Using Space Designer’s Input Slider
- Using Space Designer’s Latency Compensation Feature
- Using Space Designer’s Definition Parameter
- Using Space Designer’s Rev Vol Compensation
- Using Space Designer’s Output Sliders
- Working with Pre-Dly (Predelay) in Space Designer
- Using Space Designer’s IR Start Parameter
- Using Space Designer’s Spread Parameters
- Automating Space Designer
- Specialized Effects and Utilities
- Vocal Effects
• A value of 100% sends the feedback tap back into Delay Designer’s input at full
volume.
Note: If Feedback is enabled and you begin creating taps with the Tap pads, Feedback
is automatically turned off. When you stop creating taps with the Tap pads, Feedback
is automatically re-enabled.
• Mix sliders: Independently set the levels of the dry input signal and the post-processing
wet signal.
Working with Delay Designer in Surround
Delay Designer’s design is optimized for use in surround configurations. With 26 taps that
can be freely positioned in the surround field, you can create some truly amazing rhythmic
and spatial effects.
Delay Designer always processes each input channel independently.
• In a mono/stereo input and surround output configuration, Delay Designer processes
the two stereo channels independently, and the surround panner lets you place each
delay around the surround field.
• In a surround input and surround output configuration, Delay Designer processes each
surround channel independently, and the surround panner lets you adjust the surround
balance of each tap in the surround field.
When you instantiate Delay Designer in any surround configuration, the Pan parameter
on the Tap parameter bar is replaced with a surround panner, allowing you to determine
the surround position of each tap.
Note: In the Tap display’s Pan view mode, you can only adjust the angle of taps. You must
use the surround panner on the Tap Parameter bar to adjust diversity.
To easily move the surround position, you can:
• Command-drag to adjust diversity.
• Command-Option-drag to adjust the angle.
• Option-click the blue dot to reset the angle and diversity.
Note: Delay Designer generates separate automation data for stereo pan and surround
pan operations. This means that when you use it in surround channels, it will not react
to existing stereo pan automation data, and vice versa.
41Chapter 2 Echo Effects