X
Table Of Contents
- Final Cut Pro X Logic Effects Reference
- Contents
- An Introduction to Logic Effects for Final Cut Pro X
- Distortion Effects
- Echo Effects
- Delay Designer
- Getting to Know the Delay Designer Interface
- Getting to Know Delay Designer’s Main Display
- Using Delay Designer’s View Buttons
- Zooming and Navigating Delay Designer’s Tap Display
- Creating Taps in Delay Designer
- Selecting Taps in Delay Designer
- Moving and Deleting Taps in Delay Designer
- Using Delay Designer’s Tap Toggle Buttons
- Editing Parameters in Delay Designer’s Tap Display
- Aligning Delay Designer Tap Values
- Editing Filter Cutoff in Delay Designer’s Tap Display
- Editing Pan in Delay Designer’s Tap Display
- Editing Taps in Delay Designer’s Tap Parameter Bar
- Editing Delay Designer Taps with the Shortcut Menu
- Resetting Delay Designer Tap Values
- Using Delay Designer’s Master Section
- Working with Delay Designer in Surround
- Modulation Delay
- Stereo Delay
- Tape Delay
- Delay Designer
- Equalizers
- Levels Effects
- Modulation Effects
- Spaces Effects
- Space Designer Convolution Reverb
- Getting to Know the Space Designer Interface
- Working with Space Designer’s Impulse Response Parameters
- Working with Space Designer’s Envelope and EQ Parameters
- Working with Space Designer’s Filter
- Working with Space Designer’s Global Parameters
- Using Space Designer’s Input Slider
- Using Space Designer’s Latency Compensation Feature
- Using Space Designer’s Definition Parameter
- Using Space Designer’s Rev Vol Compensation
- Using Space Designer’s Output Sliders
- Working with Pre-Dly (Predelay) in Space Designer
- Using Space Designer’s IR Start Parameter
- Using Space Designer’s Spread Parameters
- Automating Space Designer
- Specialized Effects and Utilities
- Vocal Effects
If the highpass filter’s cutoff frequency value is above that of the lowpass filter cutoff
frequency, the filter switches from serial operation to parallel operation, meaning that
the tap passes through both filters simultaneously. In this case, the space between the
two cutoff frequencies represents the frequency band being rejected—in other words,
the filters act as a band-rejection filter.
Editing Pan in Delay Designer’s Tap Display
The way the Pan parameter is represented in the Pan view is entirely dependent on the
input channel configuration—mono to stereo, stereo to stereo, or surround.
Note: Pan is not available in mono configurations.
In mono input/stereo output configurations, all taps are initially panned to the center.
To edit the pan position, drag vertically from the center of the tap in the direction you
wish to pan the tap, or taps. A white line extends outward from the center in the direction
you have dragged, reflecting the pan position of the tap, or taps.
36 Chapter 2 Echo Effects