6
Table Of Contents
- Final Cut Pro Working with High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working with HDV
- About HDV
- Native HDV Editing Workflow
- Transcoded HDV Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- Using the Sony HVR-V1 HDV Camcorder
- HDV Format Specifications
- Working with DVCPROHD
- About DVCPROHD
- Working with DVCPROHD in FinalCutPro
- Using the DVCPRO HD FrameRateConverter
- Working with 24p DVCPROHD
- DVCPROHD Format Specifications
- Working with IMX
- Using the Log and Transfer Window
- About File-Based Media
- About the Log and Transfer Window
- File-Based Media Terminology
- Sample File-Based Media Workflow
- Mounting Media Devices
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working with Spanned Clips
- Archiving File-Based Media from Cards
- Setting Log and Transfer Import Preferences
- Working with Panasonic P2 Cards
- About Panasonic P2 Cards and Media Files
- Working with Panasonic P2 Cards and FinalCutPro
- Using Print to Video to Output to P2 Cards intheAGHVX200 Camcorder
- Capturing over FireWire as if a P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working with AVCHD
- Working with AVC-Intra
- Working with Sony XDCAM Formats
- About XDCAM, XDCAMHD, and XDCAMEX
- Working with XDCAM, XDCAMHD, and XDCAMEX inFinalCutPro
- Installing Sony XDCAM Software
- Connecting an XDCAM, XDCAMHD, or XDCAM EXDevice toYour Computer
- Ingesting XDCAM, XDCAM HD, or XDCAMEX Media
- Choosing an Easy Setup and Editing XDCAMMedia inFinalCutPro
- Choosing an Easy Setup and Editing XDCAM HD orXDCAMEX Media inFinalCutPro
- Rendering and Conforming XDCAMHD or XDCAMEX Media
- Exporting Sequences to XDCAM, XDCAMHD, orXDCAMEXMedia
- XDCAM, XDCAMHD, and XDCAMEX Format Specifications
- Working with REDCODE RAW
- Working with Sony Video Disk Units
Chapter 4 Using the Log and Transfer Window 79
8 If the format you are ingesting is not natively supported by Final Cut Pro (such as
AVCHD or AVC-Intra), you need to choose a format to transcode your footage to. For
more information, see “Log and Transfer Plug-in Transcode Settings” on page 95.
9 Select a clip in the Browse area of the Log and Transfer window to view it in the
Preview area.
10 In the Preview area, set In and Out points to identify the media you want to ingest.
Note: Some formats do not support setting In and Out points.
11 Change the clip’s Reel property in the Browse area, Logging area, or Preview area.
By default, a clip’s Reel property is the same as the name of the volume where it is
stored. If the clip is part of a spanned clip, its Reel property defaults to Spanned Reel. If
you want, you can change a clip’s Reel property to a more memorable name. This is
useful if you want to reingest a clip’s media later and you need to remember where the
clip’s original media is stored. Changing a clip’s reel name is particularly important
when working with spanned clips. For more information, see “Choosing Reel Names
and Understanding Volume Names” on page 90.
12 Change the clip name to a more meaningful name than the default name assigned by
the camcorder.
13 Add descriptive information about each clip in the logging fields. These properties are
included with the clip when it is ingested and stored in the Browser.
14 Click Import Settings in the Logging area, then select the video and audio channels you
want to ingest. The number of audio channels available (usually two or four) depends
on how many channels the clip in the Browse area contains. You can group pairs of
audio channels as stereo or dual mono.
Note: Some formats are automatically mixed down to stereo. In these cases, you
cannot adjust audio settings in the Import Settings pane.
15 Do one of the following:
 In the Browse area, select one or more clips, then click Add Selection to Queue.
 In the Preview area, click Add Clip to Queue.
Note: When you click the Add Clip to Queue button, only the clip that appears in the
Preview area is added to the Transfer Queue.
For more ways to add clips to the Transfer Queue, see “Adding Clips to the Transfer
Queue for Ingest” on page 88.
16 Watch the Transfer Queue area to see the status of your ingested media.










