6
Table Of Contents
- Final Cut Pro Working with High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working with HDV
- About HDV
- Native HDV Editing Workflow
- Transcoded HDV Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- Using the Sony HVR-V1 HDV Camcorder
- HDV Format Specifications
- Working with DVCPROHD
- About DVCPROHD
- Working with DVCPROHD in FinalCutPro
- Using the DVCPRO HD FrameRateConverter
- Working with 24p DVCPROHD
- DVCPROHD Format Specifications
- Working with IMX
- Using the Log and Transfer Window
- About File-Based Media
- About the Log and Transfer Window
- File-Based Media Terminology
- Sample File-Based Media Workflow
- Mounting Media Devices
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working with Spanned Clips
- Archiving File-Based Media from Cards
- Setting Log and Transfer Import Preferences
- Working with Panasonic P2 Cards
- About Panasonic P2 Cards and Media Files
- Working with Panasonic P2 Cards and FinalCutPro
- Using Print to Video to Output to P2 Cards intheAGHVX200 Camcorder
- Capturing over FireWire as if a P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working with AVCHD
- Working with AVC-Intra
- Working with Sony XDCAM Formats
- About XDCAM, XDCAMHD, and XDCAMEX
- Working with XDCAM, XDCAMHD, and XDCAMEX inFinalCutPro
- Installing Sony XDCAM Software
- Connecting an XDCAM, XDCAMHD, or XDCAM EXDevice toYour Computer
- Ingesting XDCAM, XDCAM HD, or XDCAMEX Media
- Choosing an Easy Setup and Editing XDCAMMedia inFinalCutPro
- Choosing an Easy Setup and Editing XDCAM HD orXDCAMEX Media inFinalCutPro
- Rendering and Conforming XDCAMHD or XDCAMEX Media
- Exporting Sequences to XDCAM, XDCAMHD, orXDCAMEXMedia
- XDCAM, XDCAMHD, and XDCAMEX Format Specifications
- Working with REDCODE RAW
- Working with Sony Video Disk Units
Chapter 2 Working with DVCPRO HD 61
Working with 720p24 DVCPRO HD Video
There are several methods for recording 720p24 DVCPRO HD footage, depending on
the camcorder you use.
720p60 DVCPRO HD Recorded at 23.98 fps
Duplicate frames are recorded and can be removed during capture (Panasonic
Varicam), during P2 card ingest (Panasonic AG-HVX200), or after capture using the
DVCPRO HD Frame Rate Converter. This format is also referred to as 720p24.
For more information, see “Removing Duplicate Frames During Capture” on page 49
and “Setting Log and Transfer Import Preferences” on page 95.
Note: The Panasonic Varicam camcorder can record 720p60 video with a frame rate
setting of 24 fps, but this format is not supported by Final Cut Pro. For more information,
see “Setting System Frequency on a Panasonic Varicam Camcorder” on page 47.
720p50 DVCPRO HD Recorded at 24 fps
Duplicate frames are recorded and can be removed during P2 card ingest with the
Log and Transfer window or using the DVCPRO HD Frame Rate Converter. For more
information, see “Setting Log and Transfer Import Preferences” on page 95.
Note: This format is only available using the Panasonic AG-HVX200E camcorder (PAL).
720pN24 DVCPRO HD (Native 24p)
DVCPRO HD 24 fps footage is recorded natively to a Panasonic P2 card and can be
ingested using the Log and Transfer window. For more information, see
“Panasonic AG-HVX200 Camcorder Compatibility” on page 107.
Note: This format is only available using the Panasonic AG-HVX200 camcorder (NTSC).